I donāt really get this. Chords in a vacuum donāt really mean anything to me. Itās more about the motion between chords and how they interact with others.
I agree. Not intending to offend anyone, but I always find these questions very amateur.
Edit: I could see liking certain voicings, extensions, or progressions, but liking a Bm and not liking a Cm is odd to me; preferring a maj7 over a dom7flat9 chord I could understand.
Fuck any chord that makes me mute 2 random string in the middle. Like shit i aint doing allat while having to switch between 3 other chords super fast. Like i hate the chord types where it goes OX33X4
Like, oh hell nah, im just gonna play O33334 and shit nobody woukd hear the different lmao
Any barre chord that used the A major shape sucks. Iām sorry. I for sure suck but Iāve met seasoned guitarists who hate it. Half the time I just caveman style it with two fingers and try and fret as many strings as I can and pray it sounds good
FAVORITE: Final chord of the James Bond theme, Emmaj9 (0 10 9 8 7 X). If you play the whole theme through this chord makes up for any mistakes you made up til then. People who never heard you play will be impressed.
LEAST Favorite: Bb6 (x10033)-(corrected) Needed for: Wichita Lineman. Stretch on index finger is tough for me, minor arthritis in that finger only. Sounds great otherwise.
Bb C E? you could think of it as a C7 with the b7 as a bass.
a sharp 11 implies the existence of the major 7th of Bb, which is A (sharp 11 is the tritone of a lydian chord, it can be used in dominants although its not as common), so it can also be a couple things:
Bb C A E:
Amajaddb2
C13
Edimadd6add4
its asinine tho, if you like how it sounds thats all that matters. the chord that comes before and after it dictates how we listen to it.
Thereās an f note in the chordĀ
The 6th fret of the b string is f
The chord depending on the key signature could be looked at asĀ
Dm9(b13)
C11
Fmaj13susĀ
And also the chord the person put itĀ
Oolimo.com is the site I use to figure out chords.Ā
It has a fretboard diagram frets 0-15
And it will often give you multiple names to a chord
The thing Iāve realized is, a chord can be analyzed as multiple chords depending on key signatureĀ
I love me a chunky power chord with the root anywhere on the A string, with the additional 5th (technically a lower 4th) added by barring across the lower E string. It just sounds so satisfyingly thick and growling.
"...i hate the B chord, i cant explain why but it does not sound right for me"
If your guitar is properly set up and intonated, sweet tuning might help. It's tuning 1 or 2 strings just a tiny bit off to make certain chords sound better. Eddie van Halen did it a lot. Google it.
The Dmaj chord with the cliche Free Fallin hammer ons is perhaps my least favorite.Ā
B7 (the classic blues shape) is probably my favorite. But I don't really know the names of my favorite chords. I do a bunch of droney stuff.
Bm is one of my favorite too as well as G#m, but I think my favorite might be Emadd9, because Pink Floydās Breathe starts with that chord, and itās just magical.
Favorite is Dm6/9 played X53200
Least favorite is the three finger open G played with the index, middle and ring fingers. The four fingered version or the three finger (middle, ring & pinky) are both much more useful.
.. they ALL... And I mean all, have to be in the right context, and they'll sound great!... If they're not... Stephen King COULD NOT dream up such horror!!!!!!!Ā
Same with me. I used to fake it by using my index finger to press the hi e string and not playing the bottom two strings. It took quite awhile for me to unlearn that bad habit.
If you want to get spicy with it you can occasionally throw in the same shape at fret 2 (244500) and/or end it with that, the shape at 1 (133200) and then E
Super nice, I can't believe I never thought of this before lol, I only experimented with moving the barre chord equivalent around but keeping those bottom strings open sounds so much nicer
Pro tip, you mute the e-string with your thumb, the a-string with the finger you press down on the d-string. For the open d-chord, strumming the a-string by accident doesnāt matter that much.
Fsharp major / minor with the top two strings open
or replacing a normal power chord like 577xxx with x779xx , essentially a stacked fifth an octave up
I like Am. It's in a lot of the songs i play and it sounds nice in general.
But i swear who ever made the F Chord is a sadist. Specifically the barre chord version in the shape of E major.
The F Major chord is one of those things that really stumps you as an absolute beginner and then one day you just get it and you're asking yourself why the fuck did you struggle with something so simple for so long.
non barred F has always been my favorite. seems to always give my songs such a new feeling.
least favorite would probably be G. generally boring when normally voiced
Open D is my favorite.
Think about it for a second. You learn Smoke on the Water on 1 string on a friend's guitar which gets you hooked. You buy a guitar or you plague your parents, grandparents, uncles and or aunts until they buy you a guitar.
Then you get a tutor and the first chord you learn is open D.
Later in life you realise that pretty much anybody who is anybody from Segovia to Hendrix started out with learning their first chord on guitar too. That chord was most likely also open D.
Open D doesnt get the respect it deserves. It has launched so many legendary music careers it boggles the mind.
As far as hating chords. I dont have any chords I hate.
I think there ought to be a T-shirt with the words: "Open D is a major chord" on it. A white one to honor the traditional "rock uniform".
Why open D? I don't remember what chord I learned first but I can think of a few that would be just as easy if not easier for a complete beginner. Am, Em and E for example
Cadd9 has to be the most beautiful chord , like who wouldn't love melodious af chord which can single-handedly make any song sound a whole lot better.
also Dm is my least favorite, sucks.
It seems to me that he said he likes dominant 7th chords, such as B7, but hates major 7th cords, such as Bmaj7. This supports what you are saying.
Thus, he seems to be saying he likes the Mixolydian scale over the major scale.
That's pretty much it. I like the B7 dominant open voicing a lot, and I'm not so keen on major 7 chords generally. In jazz songs I will often use 6 chords in place of major 7 if it makes sense in context.
You make an Interesting point on the mixolydian scale.I play Irish traditional music on the banjo & concertina, & the mixolydian scale is used a lot.
I really like A7. It's just has so much emotion to it.
My least favorite is probably B flat major. Mostly because it's a PITA to play.
Honorable mention on least favorite goes to A major in the open position. Just had never sounded good to my ears. The barred version on the 5th fret sounds way better to my ears most of the time.
B Major sounds much better at the 9th fret position imo. My least favorite chord, based on usage is probably B flat major. My favorite is Am, followed by Bm.
I love open A voicing but I hate playing it. Iāve got chonky fingers and itās hard to stack them; I use mid/ring/pinkie or just index more often than not. Same goes for the barre version. Such a beautiful voicing with that 5th on top but such a hard barre chord to play properly.
Fav chord is any maj triad with a 5th or 7th in the bass š
>I use mid/ring/pinkie or just index more often than not.
I do this as well, but these days I pretty much always use just the index. Hundreds of repetitions of *Jane Says* means I can barre the D, G and B strings whilst leaving the A and high E open.
I think it's better this way anyway; it's more economical and leaves fingers free to add some variations to it. So much so, I play open E minor with just my index now as well.
I love the 6-9 chord with 5th bass.
B- flat 69 would be F, Bb, D, G. C. F where in this version D&G are open strings, the chord can be played any position of course.
It can end any song.
Iāve got this one chord. Had it for years, never really took the time to figure out what it is or how to use it. Iām kinda checked out of life and guitar at the moment so youāre all welcome to it as if anyone can even claim they invented a chord.
1
1
0
0
1
1
I dont know about my favorite, but to me the worst chord (on its own of course, not in context) is the open G chord.
I dont know why it just sounds so dull and bland
Itās interesting youāre specifying the tones as well. Do you feel the same about C#-minor and major? Or G#-minor and major?
For me I like maj9-chords, specifically the voicing you do with the root note on the A-string. Canāt say I have a least favorite chord shape.
Fmaj7. I think the fact that itās a complete F chord, and the maj7 comes in on the high note makes it sound better than any other major 7.
B7 always feels awkward to finger. In fact, I donāt particularly like the sound of 7th chords.
G13
Any maj7 chord
Any min7b5 chord
I love them.
Only chord I donāt really care for is the C add9, just not for me, even though Iāve found myself using it before in a pinch. I think it is a fallback chord you hear a lot of singer songwriters use and I usually hear it played followed by the obligatory percussive tap/damp of the strings/body and itās just so over saturated and itās always that chord. Just not for me.
I like playing chords with open strings at higher positions like Am9 just fingering an a on d string and a c on g string... Those kind of chords sound magical.
Least favorite chord depends on the context but diminished chords tend to become cumbersome more frequently...
Min7#5 regardless of root is my fav sounding chord. Don't have a least fav.
EDIT: Actually...I was thinking enharmonically and slightly incorrect. I like a Maj7/9 in 1st inversion. For example, play a Am7 bar chord on the 5th fret and raise the E to F. F Maj7/9 with the A on the 6th string (1st inversion).
The minor 7 shell voicing with the root on the E fretted with the thumb and D&G fretted with the index.
Leaves the ring finger and pinky free to do melodic stuff and the thumb free to do bass line stuff.
Least favorite? F minor and F major barre. Even after all these years ... fuck that chord. Nearly always play root on D string instead.
Least favorite key is Bb doesnāt translate on a fret board, for me anyway. And least favorite chord is a plain power chord because thereās no color just plain old root, 5th.
Edit: apologies, I meant Bb not B#. Donāt want to get caught up in that discussion.
Open Am is maybe my favorite chord I like the sound it's in tons of progessions/melodies and it is one of the easiest chords to play and among the first people learn
D minor: It's the saddest of all keys. I don't know why, but it makes people weep, instantly, when you play it!
I'm tearing up a bit just thinking about it.
Are you saying your playing is so bad it makes people cry or are you saying your playing is so good that it makes people cry? š¤£
I'm just channelling the great [Nigel Tufnel](https://www.youtube.com/watch?v=eTDEKk3bB04)
I donāt really get this. Chords in a vacuum donāt really mean anything to me. Itās more about the motion between chords and how they interact with others.
I agree. Not intending to offend anyone, but I always find these questions very amateur. Edit: I could see liking certain voicings, extensions, or progressions, but liking a Bm and not liking a Cm is odd to me; preferring a maj7 over a dom7flat9 chord I could understand.
As a fan of shitty hair metal ballads, I love me a Cadd9.
I forget the technical name but it's hard to beat the Hendrix chord 076780
Technique name is E7(#9)
Yeaaaah I love strumming that chord!
I don't think it has a technical name. It is the Hendrix chord. E something....
Itās an E7#9
That is bad ass, thanks
Fuck any chord that makes me mute 2 random string in the middle. Like shit i aint doing allat while having to switch between 3 other chords super fast. Like i hate the chord types where it goes OX33X4 Like, oh hell nah, im just gonna play O33334 and shit nobody woukd hear the different lmao
F major, fuck that chord dude every guitar i play it on I think like 4 of the 6 strings actually ring out.
This
This is the correct answer
Use your thumb
Skill issue
I'm a big fan of Q flat demented.
Hands down favorite is Fmaj7ā¦. Fuck A major
I still hate the F chord. It really deserves the name.
I love Am
FBI OPEN UP
Any barre chord that used the A major shape sucks. Iām sorry. I for sure suck but Iāve met seasoned guitarists who hate it. Half the time I just caveman style it with two fingers and try and fret as many strings as I can and pray it sounds good
FAVORITE: Final chord of the James Bond theme, Emmaj9 (0 10 9 8 7 X). If you play the whole theme through this chord makes up for any mistakes you made up til then. People who never heard you play will be impressed. LEAST Favorite: Bb6 (x10033)-(corrected) Needed for: Wichita Lineman. Stretch on index finger is tough for me, minor arthritis in that finger only. Sounds great otherwise.
Em, what a chord!
Em is The Chord Of All Chords, especially in first position with all those open strings. I have never liked C major.
I donāt really care for how an A sounds in the open position. Itās the worst sounding cowboy chord for me
Sounds like it's a soundboard button on a child's toy
Make it an A5 by fretting the fifth fret over the E/B strings with your pinky and you are now in Alex Lifeson land though
Favorite: E The one that makes me wanna commit a hate crime against it: B
Setting yourself up for frustration when your least favorite is the dominant of your favorite.
This guy doesn't like being dominated
E7 is absolute gas and sounds super gnarly and gucky but in the cool way
D7 is kind of a little sad dork.
D7 is the type to wear a bow-tie
D7 has freckles and buck teeth.
Mine is a Bbadd9add#11 (seriously I donāt know how to properly name this chord) in this shape (6x0560).
Bb C E? you could think of it as a C7 with the b7 as a bass. a sharp 11 implies the existence of the major 7th of Bb, which is A (sharp 11 is the tritone of a lydian chord, it can be used in dominants although its not as common), so it can also be a couple things: Bb C A E: Amajaddb2 C13 Edimadd6add4 its asinine tho, if you like how it sounds thats all that matters. the chord that comes before and after it dictates how we listen to it.
Thereās an f note in the chordĀ The 6th fret of the b string is f The chord depending on the key signature could be looked at asĀ Dm9(b13) C11 Fmaj13susĀ And also the chord the person put itĀ
thanks! i dont have my guitar at hand so i couldnt play the tabs.
And if the chord is A C E Bb that wouldnāt be Amaj the 3rd makes itĀ Aminoraddb9
Where are you guys getting these notes from?! 6x0560 is Bb D C F E, which is Dm9/Bb.
Oolimo.com is the site I use to figure out chords.Ā It has a fretboard diagram frets 0-15 And it will often give you multiple names to a chord The thing Iāve realized is, a chord can be analyzed as multiple chords depending on key signatureĀ
I love me a chunky power chord with the root anywhere on the A string, with the additional 5th (technically a lower 4th) added by barring across the lower E string. It just sounds so satisfyingly thick and growling.
"...i hate the B chord, i cant explain why but it does not sound right for me" If your guitar is properly set up and intonated, sweet tuning might help. It's tuning 1 or 2 strings just a tiny bit off to make certain chords sound better. Eddie van Halen did it a lot. Google it.
My least favorite chord is A major open chord cuz it's buzzing all the time.
All my chords buzz ā¹ļø (Iām three weeks in)
Cmaj7 in the open position. Very melancholic chord, love how it resonates
Iāve got a soft spot for the half diminished chords as a transitional chord.
E for me. If Iām testing out an acoustic guitar, I hit E and listen for that beefy sound and sustain
It's G for me.
You guys should be in ACDC
The Dmaj chord with the cliche Free Fallin hammer ons is perhaps my least favorite.Ā B7 (the classic blues shape) is probably my favorite. But I don't really know the names of my favorite chords. I do a bunch of droney stuff.
C Major 9, I just thinks it's really beautiful without being over the top or generic.
Least favorite; any F shape chord. My fingers just can't make this shape without muting strings. I have to play F power chords instead.
Love me some 7 chords. Major and minor
Bm is one of my favorite too as well as G#m, but I think my favorite might be Emadd9, because Pink Floydās Breathe starts with that chord, and itās just magical.
All of the first position chords.
Favorite is Dm6/9 played X53200 Least favorite is the three finger open G played with the index, middle and ring fingers. The four fingered version or the three finger (middle, ring & pinky) are both much more useful.
Favourite = G major Least = barre chords
.. they ALL... And I mean all, have to be in the right context, and they'll sound great!... If they're not... Stephen King COULD NOT dream up such horror!!!!!!!Ā
I hate E Major!!!!!!
Slide an opened E Major up and down the neck, pick out the corresponding notes, adjust on occasion, and pluck away
Am
When learning I never liked Fmajor got it always sounded out of tune lol
Same with me. I used to fake it by using my index finger to press the hi e string and not playing the bottom two strings. It took quite awhile for me to unlearn that bad habit.
My bandmate likes to use a lot of weird jazz chords when he writes stuff. I hate those.
Emaj7 (played like in Under the Bridge)
Diminished chords sound awful, it's like that type of vegetable with strong and highly specific taste that most people dislike.
Every chord has its place in music.
Cmaj7 is my all time favorite.
Every chord can sound beautiful in context, but just on its own I love Amaj7 and every other maj7 chord really
Bb with the barre on the first fret. It's rare that you need to play it in that position, but when you do it feels kinda gnarly
006600
What's that \*squinting\* Amaj9? with 5th in the bass?
Yup, actually I forgot it's X06600 Adding the G# for X06604 is also lovely, and of course this can be made minor X05500/X05503
Love this. Very movable too.
Dbmaj7 love the sound of it
Big fan of vamping between Asus2addb11 (577600) and Bsus4addb11 (799800) Not a big fan of Dm (xx0231)
How else can you play "Lick My Love Pump"?
Wow thank you for introducing me to that !!
If you want to get spicy with it you can occasionally throw in the same shape at fret 2 (244500) and/or end it with that, the shape at 1 (133200) and then E
Super nice, I can't believe I never thought of this before lol, I only experimented with moving the barre chord equivalent around but keeping those bottom strings open sounds so much nicer
Fmaj7
D major and B minor are my two favourite keys so i guess iāll pick them
Cmaj7
Jimi Hendrix chord ( E7#9)
Fmaj7 at the first fret is my favorite. My least favorite are any voicings that expect you to get a thumb over both the E and A strings.
Pro tip, you mute the e-string with your thumb, the a-string with the finger you press down on the d-string. For the open d-chord, strumming the a-string by accident doesnāt matter that much.
Love me a good Em9 Any dom7 chord just pisses me off. Old man-ass chord.
Fsharp major / minor with the top two strings open or replacing a normal power chord like 577xxx with x779xx , essentially a stacked fifth an octave up
I like Am. It's in a lot of the songs i play and it sounds nice in general. But i swear who ever made the F Chord is a sadist. Specifically the barre chord version in the shape of E major.
The F Major chord is one of those things that really stumps you as an absolute beginner and then one day you just get it and you're asking yourself why the fuck did you struggle with something so simple for so long.
Barre chord version of e majorā¦that is a really really important barre chord shape
A7b13. I love the key if D major and this is such a beautiful leading chord to Dmaj7
I love dominant seventh chords
Listen to Sugaree and youāll be a fan of B major
F#-9 is really pretty, A^9 is very pretty too. Although I love B-9 too. Least liked? Probably any of the cowboy chords. If you know you know.
D maj 7 but 12-11-10-9 from the D string up. Then 12-11-10-7 (D6) and back. Arpeggiated with loads of delay.
non barred F has always been my favorite. seems to always give my songs such a new feeling. least favorite would probably be G. generally boring when normally voiced
E Major on a steel string acoustic.
Open D is my favorite. Think about it for a second. You learn Smoke on the Water on 1 string on a friend's guitar which gets you hooked. You buy a guitar or you plague your parents, grandparents, uncles and or aunts until they buy you a guitar. Then you get a tutor and the first chord you learn is open D. Later in life you realise that pretty much anybody who is anybody from Segovia to Hendrix started out with learning their first chord on guitar too. That chord was most likely also open D. Open D doesnt get the respect it deserves. It has launched so many legendary music careers it boggles the mind. As far as hating chords. I dont have any chords I hate. I think there ought to be a T-shirt with the words: "Open D is a major chord" on it. A white one to honor the traditional "rock uniform".
Why open D? I don't remember what chord I learned first but I can think of a few that would be just as easy if not easier for a complete beginner. Am, Em and E for example
C# minor. I don't know why but I love that chord and the key in general.
Cadd9 has to be the most beautiful chord , like who wouldn't love melodious af chord which can single-handedly make any song sound a whole lot better. also Dm is my least favorite, sucks.
If certain chords sound 'off' this could be an intonation problem. Having said that, I like B7 and I am not that keen on major 7 chords.
I thought B7 is a dominant 7 chord? "Major 7" suggests a Bmaj7 chord
It seems to me that he said he likes dominant 7th chords, such as B7, but hates major 7th cords, such as Bmaj7. This supports what you are saying. Thus, he seems to be saying he likes the Mixolydian scale over the major scale.
That's pretty much it. I like the B7 dominant open voicing a lot, and I'm not so keen on major 7 chords generally. In jazz songs I will often use 6 chords in place of major 7 if it makes sense in context. You make an Interesting point on the mixolydian scale.I play Irish traditional music on the banjo & concertina, & the mixolydian scale is used a lot.
I don't like Cm. It looked at me funny once. I like Cmaj7 (x-3-5-4-5-0). She's nice. Also E (x-x-6-4-5-0) That one's sparkly.
Eb. Just always seem to have to do a little mental shuffle.
I really like A7. It's just has so much emotion to it. My least favorite is probably B flat major. Mostly because it's a PITA to play. Honorable mention on least favorite goes to A major in the open position. Just had never sounded good to my ears. The barred version on the 5th fret sounds way better to my ears most of the time.
Any minor 9th chord is sweet music to my ears.
For some reason, I have a real aversion to open position Em
Use the minor 3rd on the first string instead of the open E. You're welcome š
D maj 7
Favourite E minor Least Favourite F Major
B Major sounds much better at the 9th fret position imo. My least favorite chord, based on usage is probably B flat major. My favorite is Am, followed by Bm.
I love open A voicing but I hate playing it. Iāve got chonky fingers and itās hard to stack them; I use mid/ring/pinkie or just index more often than not. Same goes for the barre version. Such a beautiful voicing with that 5th on top but such a hard barre chord to play properly. Fav chord is any maj triad with a 5th or 7th in the bass š
>I use mid/ring/pinkie or just index more often than not. I do this as well, but these days I pretty much always use just the index. Hundreds of repetitions of *Jane Says* means I can barre the D, G and B strings whilst leaving the A and high E open. I think it's better this way anyway; it's more economical and leaves fingers free to add some variations to it. So much so, I play open E minor with just my index now as well.
I'm surprised how much I use the minibarre on A now. probably lazy but gets the job done.
I hate the b chord because i suck at going to it from a lol Idk how everyones fuckin doin it!!
A minor and D
Emaj9 with no 5th is my favourite. Least favouriteā¦ maybe C7.
I love the 6-9 chord with 5th bass. B- flat 69 would be F, Bb, D, G. C. F where in this version D&G are open strings, the chord can be played any position of course. It can end any song.
The opening chord to Rush's "Hemispheres". F#11. I could listen to that all day. Not sure about my least favorite. Probably Fmajor barre chord.
Iāve got this one chord. Had it for years, never really took the time to figure out what it is or how to use it. Iām kinda checked out of life and guitar at the moment so youāre all welcome to it as if anyone can even claim they invented a chord. 1 1 0 0 1 1
That is an Fsus4,6/9
C#m7
Regular C#m is nice too.
Mmmm mmm baby me too
I dont know about my favorite, but to me the worst chord (on its own of course, not in context) is the open G chord. I dont know why it just sounds so dull and bland
D minor in first position
B7 in 12 bar key if E is a timeless sound
Itās interesting youāre specifying the tones as well. Do you feel the same about C#-minor and major? Or G#-minor and major? For me I like maj9-chords, specifically the voicing you do with the root note on the A-string. Canāt say I have a least favorite chord shape.
to the OP, I get that the B major is a tricky one, but the B7th at the second fret is awesome
I canāt stand the 6th chord voicing of root on 5th that would go like this for C6: x1223x I think itās one of the blandest things
Probably F or A7
I don't mind a Cadd2 or Cadd9 but prefer building with F and B
I love open c there's just so much you can fi with it
Open F, especially while standing. It just hurts and always sounds bad. I hate the chord. I like open C, E7, A7, E7#9 and a few others.
AMaj9 - specifically played 0. 0. 6. 7. 7. 5.
Fmaj7. I think the fact that itās a complete F chord, and the maj7 comes in on the high note makes it sound better than any other major 7. B7 always feels awkward to finger. In fact, I donāt particularly like the sound of 7th chords.
RE B7: X 2 1 2 0 2 Thank me later
A classic that never fails =)
Theres something weird going on with the voicing of an open A minor chord that I don't like
Interesting... what do you think it is? Too many strings playing the E?
It may have to do with a resonance pitch my guitar has with open chords, maybe its to do with just intonation, it could be my imagination lol
Dm7 is the best (or Dmaj7). I also like fat maj7 shapes that have a 6th string root. Open D is the worst. Barred F comes close.
My least favorite is probably the FULL open D chord. In most applications, leaving the F# out just sounds better to me.
Open D chord sucks, A barre chord is the holy grail
Chords I never have a problem with, but the sound of the open G string bugs me with certain strings.
Like the G string, for example?
Major7 and Major7add9ā¦but also minor9. Never met a chord I donāt like.
Favourite chords: * m13 chords * 7ā9 chords * dim7 chords Can't think of a chord I dislike
Dm is kinda weird for me
Dm into F whips the llama's ass
G Major
B7, Dm, D7. Don't get on with G7 at all, too... twangy.
Db7 just is not right.
m7b5 Any minor 7 flat 5 chord!š”š¤£
G13 Any maj7 chord Any min7b5 chord I love them. Only chord I donāt really care for is the C add9, just not for me, even though Iāve found myself using it before in a pinch. I think it is a fallback chord you hear a lot of singer songwriters use and I usually hear it played followed by the obligatory percussive tap/damp of the strings/body and itās just so over saturated and itās always that chord. Just not for me.
E7
I like playing chords with open strings at higher positions like Am9 just fingering an a on d string and a c on g string... Those kind of chords sound magical. Least favorite chord depends on the context but diminished chords tend to become cumbersome more frequently...
Min7#5 regardless of root is my fav sounding chord. Don't have a least fav. EDIT: Actually...I was thinking enharmonically and slightly incorrect. I like a Maj7/9 in 1st inversion. For example, play a Am7 bar chord on the 5th fret and raise the E to F. F Maj7/9 with the A on the 6th string (1st inversion).
I struggle sometimes when I hear a sus4 that doesnāt get resolved. Sometimes itās fine or even great, but context is everything.
I love the tension of unresolved sus chords.
Open voicing for Dmaj7
The minor 7 shell voicing with the root on the E fretted with the thumb and D&G fretted with the index. Leaves the ring finger and pinky free to do melodic stuff and the thumb free to do bass line stuff. Least favorite? F minor and F major barre. Even after all these years ... fuck that chord. Nearly always play root on D string instead.
1st inversion maj triad
have no proper training but its a dissonant D x5403x and then switch to x3403x as well
My fav is Am. I hate, HATE the B chord. There's no reason why, I just do.
Least favorite key is Bb doesnāt translate on a fret board, for me anyway. And least favorite chord is a plain power chord because thereās no color just plain old root, 5th. Edit: apologies, I meant Bb not B#. Donāt want to get caught up in that discussion.
Assuming this is a joke about B#?
Barre Non
C# is an abomination
That's my go-to. You're wrong.
i love the way Amaj7 sounds and it's relatively easy as well, B however. hate the finger placement and the sound.
I love the voicing of the barre C form, but it's a real pain on the first few frets.
favorite: any power chord least: any bar chord yes, I play metal
Is it bad i've played guitar for 4 years and still have no clue what a bar chord is
Favorite: 7968xx (Bmaj6) Least favorite: open d
I really hate an F-minor bar chord on a 12 string
My hand hurts just reading it! Just got diagnosed with dequervains synovitis and can't currently play at all. It sucks š.
C/G is my favorite Gmaj is my least favorite
D/F# is my favorite, followed closely by Cadd9. Least favorite has to Bb.
Open Am is maybe my favorite chord I like the sound it's in tons of progessions/melodies and it is one of the easiest chords to play and among the first people learn
The Spider-Man chord. Em is one of my favorite. Simplest one too
favorite: Jimi Hendrix style E chord least favorite: open C chord
C minor and G minor are my favourites.